On April 4 (Saturday), Kaunas Ninth Fort Museum will be open one hour shorter – until 5:00 p.m.
The museum will be closed on April 5 (Easter).
Only general organised guided tours take place in Kaunas Ninth Fort Museum at weekends. Pre-booking is not possible: the person who purchased the ticket earlier acquires the priority to participate in the guided tour. The maximum number of participants in a tour is 25 people. A special ticket for a participant of an organised guided tour (11 Eur or with a discount – 6 Eur per person) will allow visitors to visit the museum expositions as well as join thematic or guided tours organised at certain times. TIMETABLE OF THE GUIDED TOURS* In English: 12:00 Overview guided tour THE NINTH FORT: FROM FORTIFICATION TO THE MUSEUM (120 min) In Lithuanian: 11:00 Extended thematic guided tour THE DEFENSIVE WALL OF THE NINTH FORT: THE UNDERGROUND (70 min) 13:00 Overview guided tour THE NINTH FORT: FROM FORTIFICATION TO THE MUSEUM (120 min) 14:00 Extended thematic guided tour THE DEFENSIVE WALL OF THE NINTH FORT: THE UNDERGROUND (70 min) 15:00 Extended thematic guided tour THE DEFENSIVE WALL OF THE NINTH FORT: THE UNDERGROUND (70 min) *Except for the last Sunday of every month and public holidays
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From March 15, 2026 (Sunday), a new exhibition “Saviours” will open at Kaunas Ninth Fort Museum, dedicated to presenting the history of the rescuing Jews in Kaunas. During the Nazi occupation, Kaunas became one of the most important centres for the rescue of Jews in Lithuania. Despite the harsh regime, the inhabitants of the city and its surroundings created secret rescue networks. The social background of the Jewish saviours was extremely diverse: teachers, priests, artists, doctors, workers, farmers, students, intellectuals. For some, the impulse came from personal tragic experiences or a connection with the person being rescued: friendship, former working relationships, or neighbourliness. However, all rescuers were united by their determination to act when passive observation meant acquiescence to the killings. After the Holocaust, some rescuers received international recognition and were recognized as Righteous Among the Nations. But some of them were punished during the Soviet occupation not for saving Jews, but for real or suspected ties to independent Lithuanian institutions, the church, or anti-Soviet resistance. Many rescuers kept silent about their activities for decades, treating them as a simple human duty rather than a heroic deed. Today, their stories testify not only to the light they spread, but also ...
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On the last Sunday of each month all visitors can visit the museum free of charge. Guided tours in English on the last Sunday of the month are not available. The free tickets must be collected on the day of the visit at the ticket office located at Žemaičių pl. 73.
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We invite Ukrainian citizens to visit the expositions of Kaunas Ninth Fort Museum and to participate in our guided tours free of charge. All you need to do is provide an identity document at the ticket office. Registration to the guided tours is available via phone +370 686 26243 or e-mail muziejus@9fortomuziejus.lt Relevant information: www.ltua.lt. — Запрошуємо громадян України відвідати експозиції Каунаського музею IX форту та взяти участь в екскурсіях музеєм безкоштовно. Все, що потрібно для цього зробити – пред’явити своє посвідчення особи. Попередній запис на екскурсію проводиться за телефоном +370 686 26243 або ел. поштою muziejus@9fortomuziejus.lt Інформація для громадян України: www.ltua.lt. — Приглашаем граждан Украины посетить экспозиции Каунасского музея IX форта и принять участие в экскурсиях по музею бесплатно. Всё, что необходимо для этого сделать, это в кассе предъявить свое удостоверение личности. Предварительная запись на экскурсии производится по телефону +370 686 26243 или по эл. почте muziejus@9fortomuziejus.lt Актуальная информация: www.ltua.lt.
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Christian Boltanski (b. 1944 Paris, France, d. 2021, Paris, France) Animitas (Kaunas), 2021 230 Japanese bells, Plexiglas, nylon Christian-Liberté Boltanski was born on September 6, 1944, two weeks after the liberation of France in World War II. During the war, his father, a Jew from Ukraine who later converted to Christianity, was hiding in the family apartment so as not to be found by the Nazis and French authorities. For over sixty years, the artist created works that offer meditations on fate, mourning and memory. Following his father’s death in 1987, Boltanski’s work increasingly focused on the Shoah (the Holocaust) as he incorporated the subjects of death and commemoration. Since this time, he also worked outside the museum in symbolic and charged places. When first approached for a commission to commemorate Kaunas 2022, Boltanski was drawn to significant sites associated to traumatic events and Jewish histories. The artist knew of the 900 French prisoners held at the Ninth Fort, who were imprisoned and executed alongside 30,000 other Jews from Lithuania, Austria, Poland, the Soviet Union and Germany. When we consider that his family lived in constant fear of his father being caught, this site also relates to the artist’s personal ...
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Artist Bruce Clarke (FR) of Litvak origin created a two-part exhibition at Kaunas Ninth Fort Museum, which consists of the mural artwork “When we were Trees,” created for the inner courtyard of the museum, and the installation of sculptural objects “Survivors in Suspension,” exhibited inside the museum. Having raised the question of how art can treat the subject of the Holocaust and honour the victims murdered at the Ninth Fort, Clarke chooses metaphor in his work “When we were Trees.” Using the symbolism of trees and fire, as well as the excerpts from archive sources, the artist conveys painful historical events and reveals the extraordinary resilience of a person in a desperate situation. The installation “Survivors in Suspension” talks about the “in-between” existence of those who have survived traumatic and inhumane experiences. Clarke’s exhibition “Those who Stayed” became a part of the performance “The Wreckage of my Flesh.” It was prepared by dancer and choreographer Tebby W. T. Ramasike (NL) together with an international team. The sensitive performance combined the avant-garde current of Japanese dance butoh, elements of ritual, electronic music and visual art. The synthesis of these elements helped to express human experiences in the whirlwind of dramatic events and resistance to the ...
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